Silver-seal, 60 % zinc sulphide
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FAQ
Questions about Lithopone?
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Amount:
$ 27.55*Amount:
$ 219.30*Amount:
$ 501.40*Amount:
*Prices plus NY Sales Tax plus shipping costs
Please read the material safety data sheet (MSDS).
Safety Data Sheet _SDS.pdf
No ACMI Certification Seals available.
Warnings
WARNING: Exercise care when using dry pigments. Do not eat, drink or smoke. Avoid breathing dust. Use a NIOSH-certified dust respirator. Wash hands immediately after use. If creation of dust is likely, wear protective clothing.
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Precautions
Keep out of reach of children.
Lithopone is produced by simultaneous precipitation of zinc sulfate and barium sulfide. We offer Lithopone Silver Seal, a mixed pigment of 60% zinc sulfide and 40% barium sulfate. Lithopone was an important white pigment for painting purposes until the large-scale production of Titanium White. The opacitiy of Lithopone is good, although somewhat lower than that of Titanium White. Lithopone is not suitable for acidic media.
Details e.pdf
Questions about Lithopone?
Rublev Colours Lithopone is an organically coated white pigment based on a co‑precipitated zinc sulfide/barium sulfate compound. The zinc sulfide content is 30% by weight, whereas, on a molecular basis, lithopone consists of the two components at a ratio of 1:1. It is a transparent white almost equal to zinc oxide in whiteness. It holds a medium position in density between lead white and zinc white.
Pigment Names Primary Names English: lithoponeThe inception and evolution of lithopone can be traced back through various industries and diverse applications. Revered for its robust hiding power, this white pigment, also called sulfide of zinc white, has been an invaluable asset to industries requiring a durable and reliable white pigment. Lithopone was an economical and functional solution as an alternative to lead carbonate, which is prone to change, and zinc oxide, known for its brittleness.
Historically, the first mentions of zinc sulfide being utilized as a pigment were approximately sixty years before the everyday use of lithopone. Originally, it was thought to be appropriate for coloring rubber. In England, a patent was granted for this process. Two decades after this, the focus shifted to zinc sulfide as a suitable pigment for paint. The year witnessed the patenting of a manufacturing process for a novel white pigment composed of zinc sulfide and barium sulfate. Dubbed Charlton white or Orr’s white enamel, this began a new era for white pigments.
The composition of lithopone underscores its superiority in specific applications. Ideally, prepared lithopone consists of 30 to 32 percent sulfide of zinc, and a negligible percentage of zinc oxide (1.5%), with the remaining majority being barium sulfate. These attributes render lithopone nearly comparable to the best grades of French process zinc oxide in terms of whiteness. Furthermore, its oil absorption, which sits between lead carbonate and zinc oxide, solidifies its position as a functional and efficient white pigment.
In terms of application, meticulous preparation and attention to detail yield the best results. For paint grinders, maintaining a ratio of 12 pounds of refined linseed oil to 88 pounds of lithopone pigment will provide optimal workability. A salient factor that should be heeded is the state of the lithopone before mixing with oil; the material must be sufficiently dry. Only then will it integrate seamlessly with the oil, ensuring that the resultant mixture possesses the desired consistency and properties.
Lithopone’s historical significance is further accentuated by the advancements and modifications that followed its inception. The patent by J.B. Orr, for instance, ushered in a new white pigment—Orr’s Zinc White. This innovation was attained by co-precipitating zinc sulfate and barium sulfide, followed by a calcination process. Further refinements marked the subsequent decades, the most notable being the enhancement of lightfastness achieved in the s by introducing small amounts of cobalt salts before calcination.
While lithopone and anatase titanium white gained traction between the s and s, by the advent of the First World War, rutile titanium white had started to overshadow them. Their significance in the artist’s palette has since dwindled, and their use as an artist’s pigment is currently nearly obsolete.
From a stability standpoint, lithopone, a fusion of zinc sulfide and artificially precipitated barite, is non-toxic and exhibits resilience to mild lyes and acids. However, it is incompatible with colors containing copper. Despite its strong covering power in oil, lithopone’s drying capabilities are notably limited, posing potential issues for artists. Notably, early experimentation with lithopone-based grounds instead of zinc white resulted in undesirable darkening, although this blackness receded upon drying. This unpredictable behavior has sparked debate among scientific communities, emphasizing the need for further exploration and understanding of this pigment.
With its storied history and distinct properties, lithopone remains a subject of historical significance and contemporary relevance. While its applications and popularity have evolved, its role in the annals of pigment history is indisputable.
Lithopone Pigment: Lithopone Pigment Classification: Synthetic inorganic Colour Index: Pigment White 5 () Chemical Name: Barium sulfate/zinc sulfide Chemical Formula: BaSO4•ZnS CAS No. -05-7 EINECS No. 215-715-5 ASTM Lightfastness Acrylic: Not Listed Oil: Not Listed Watercolor: Not Listed Physical Properties Zinc Sulfide (ZnS): Approx. 30% Barium Sulfate (BaSO4): Approx. 70% Colorimetric Index L*: 97 Sieve Residue, >45 μm: < 0.004% pH: 8 Hardness (Mohs): 3 Density: Approx. 4.36 g/ml Molar Mass: 330.80 g/mol Specific Gravity: 4.3 Bulking Value: 35.82 lbs/gal